The Photographer – Glorified Photocopier?    by Lucy Lelens
Price: $2.99 USD. 2220 words. Published on April 8, 2011. .
Are photographers the artists with the camera as they would imagine themselves to be, or are they indeed nothing more than glorified photocopiers? This question was posed to me recently and I felt it worthy of discussion. In this age of high tech equipment and equally high tech software, are we photographers merely photocopiers? It is an interesting question.

Creative History -Collective Insites    by Judy Barrass
Price: $0.99 USD. 5410 words. Published on May 16, 2011. .
Creative History-Collective Insites documents an innovative Australian project that brought together artists and historical collections. It will be of interest to artists, creative history students and curators interested in new approaches. The essay documents the processes of the project, and presents and discusses the artists' final exhibition work.

Triptychs: A 'Nam Marine's Now and Then    by Andy Syor Henry Avignon
Price: $1.99 USD. 11090 words. Published by MilSpeak Books  on September 15, 2011. .
Laugh, cry, and experience your own flashbulb moment of clarity as the story of a year in combat unfolds in this linked series of poems, photosculpture, and flash memoir.

Modern Art    by Tal Vinnik
Price: Free! 4730 words. Published on January 31, 2012. .
A short story about a celebrated restoration artist who comes to the Vatican to work in the Sistine Chapel during renovations in the mid 1980s. He keeps to himself, but is soon unable to keep his secret from spiraling his life out of control as his time in the holy city goes on.

BUILD LARGE CANVASES FOR FRACTION of THE COST    by Guy Wann
Price: $2.99 USD. 2230 words. Published on February 12, 2012. .
This book will show you how to save money building your own custom canvases for your Acrylic and Oil painting projects.

Silence Is a Four-Letter Word: On Art & Deafness (The Tenth Anniversary Edition)    by Raymond Luczak
Price: $7.99 USD. 23990 words. Published by handtypepress on September 18, 2012. .
In 2002, Raymond Luczak handed us his call to arms for deaf artists everywhere. Ten years later, he revisits the book that challenged assumptions about being a deaf artist. Has anything changed? Yes and no. His meditations on what makes art “art” and deafness “deaf” asks artists--whether deaf or not--to rethink their work and live differently. Observations made from the past decade are included.