Understanding Digital Photography: Techniques In Getting A Great Picture    by J. Kent
Price: $4.83 USD. 21680 words. Published on January 30, 2011. .
Have you heard of, "There is more than meets the eye?" We use our eyes to view things in our environment. However, through time, man has devised ways on how to preserve the things normally seen and thus treasured, whether these are beautiful or not, and one of which is by using cameras. The images that are captured by cameras can make our eyes see things that have happened before.

Loosen Up Before The Lens    by Martin Kimeldorf
Price: $9.99 USD. 7380 words. Published on March 18, 2011. .
Once you loosen up before the lens, you’ll never again take a bland or repetitive image. When you learn how to apply improvisational acting technique, you’ll sail beyond the standard or clichéd poses.

The Guide to Marketing and Search Engine Optimisation for the Freelance Photographer    by Adriana Beaumont-Thomas
Price: $3.99 USD. 10830 words. Published on September 13, 2011. .
This guide offers comprehensive advice on how to successfully market your freelance business. It talks about efficient promotional strategies, market research, search engine optimisation techniques, creating user-friendly websites and much more. The book is written in plain English by a marketing manager of a successful photography venture. A must-read for any freelancer.

Portrait of a Young Girl    by Mark Niemann-Ross
Price: $0.99 USD. 12020 words. Published on October 18, 2011. .
Jennifer uses her image profile to change how her friends see her. Photographs of her are instantly retouched - no matter who takes them, or where they are uploaded. Jennifer has fixed her hair, makeup, color of her eyes, length of her neck and removed blemishes. When a technical problem erases her profile, her friendships end, along with her self-confidence. Is her profile an accurate picture?

Portrait Photographer    by Bolesław Lutosławski
Price: $2.99 USD. 16070 words. Published on May 11, 2013. .
For Bo Lutoslawski taking a portrait is like falling in love. His technique is near-telepathic inside into his subject, the way they move, the way they think – a fleeting attempt to catch their true identity. Sophie Grove Journalist