Pilgrim Process

Rated 4.00/5 based on 1 reviews
"Pilgrim Process" is a near future dystopia of some 117,000 words.

Is it possible that the entire world could be enslaved and transported into madness, simply because an apparently ordinary man in an unimportant small town in Hertfordshire, starts manipulating a secret society he has joined, and decides to see just how far he can make them go? More

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Words: 118,610
Language: English
ISBN: 9780957157613
About Matthew Spencer

Matthew Spencer is a British electronics engineer. Almost entirely self-educated, he attended Fearnhill School (in Letchworth) and Mander College in the nineteen-seventies and eighties. Recently, he has worked to help develop equipment for monitoring noise pollution in the marine environment, which to some extent mirrors work done on monitoring and analysing noise in industrial and domestic situations on land in the nineteen-eighties. He suspects that in the developed world, noise pollution is currently affecting marine life more severely than chemical pollution, not least because it is more problematic for regulators and researchers to measure and understand. Occasional great leaps in human understanding are generally facilitated by the development of a new form of measuring instrument. Always worth a try when the human race gets stuck somewhere.
The author has also designed a new electronic ignition system especially for classic racing motorcycles.
Other written work includes a screenplay, "Crushed Fennel", some hard Science Fiction (the Forest series) and two works in progress, which will follow "Pilgrim Process" into publication here shortly: "The Farshoreman" and "Levels of Energy".

Reviews

Review by: Joel Huberman on March 23, 2012 :
As a description of an unfortunately plausible near-future dystopia, this book is superb. Due to my busy schedule, it was necessary for me to read it in many sessions, frequently with many days between sessions. During these interruptions, I would emerge from the ghastly Hertfordshire world created by the author (Matthew Spencer) and turn to my American news sources to see what was happening in my real world. Frequently I wondered if I was still in Hertfordshire. In my American world, as in Spencer's Hertfordshire, most people were allowing themselves to be entertained by one outrageous political statement or act of government after another without the slightest degree of moral questioning.

I don't want to reveal any more of the plot than is provided in Spencer's "extended description" of the book. So, if you haven't read that extended description yet, please do so now, because I'll refer below to terms and people in that description.

Without revealing plot details, I can nevertheless provide the readers of this review with a sampling of my observations and reactions. I happen to be an atheist. For that reason, the religious motivations behind some of the characters' actions initially left me mystified. The way I finally successfully dealt with these initially puzzling actions was to view them as simple moral symbols of rejection of the totally amoral world-view being forced on these characters by the Party and the Brotherhood.

As I've already stated, I'm an American. For that reason I had difficulty with some of the British terminology. This problem, too, I was able to solve. The meanings of some words, such as "womble", rapidly became clear from context. Others, such as "spinneys", I could look up in a dictionary.

I found most of Spencer's writing to be clear--even occasionally inspired. But I also found a few examples of rather rough writing, the kind of thing that, I think, could easily have been repaired by a good editor. What's important, though, is that Spencer's style rarely became sufficiently noticeable to draw my attention away from the spellbinding combination of plot and plausible dystopia.

The only time I found my attention wavering was during Spencer's detailed descriptions of the methods by which Jane was able to survive for months, including winter months, on abandoned land and without significant contact with "civilization". As a one-time Boy Scout, I'm interested in such things, but I did find myself wanting to get back to the story. Perhaps Spencer's intention here was to contrast the peacefulness of Jane's isolated situation with the stressful, morally catastrophic world faced by everyone else in the novel.

There are a few shocking scenes in the book. They're not excessive, and they're not put there for the voyeuristic pleasure of the reader. They're intended to open our eyes to the horrors that many human beings will not only tolerate, but will take pleasure in, when some authority figure or other tells them it's OK. I hope the readers of this book will be forewarned and will not, like so many other people in both the real and Spencerian worlds, allow their moral sensibilities to be quenched by their "leaders".

The bottom line is that I very much enjoyed this book, and I look forward to seeing others by Spencer in the future.
(reviewed long after purchase)

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