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on May 25, 2012 :
Cawnpore is, on the whole, a well-written adventure tale. In some ways, I think the author has improved from the first book. One of the issues I had with The White Rajah was the extremely timid way in which the relationship between Brooke and Williamson was described. It was clear that the two men were lovers, but for all the reader was given, it could have been a rather platonic relationship. In Cawnpore it’s much more clear that Williamson and Mungo have a very physical relationship. We’re not given detailed descriptions of what they get up to, but it’s still clear the two men share a physical bond as well as a deep friendship.
However, that said, the sexual relationship between Williamson and Mungo is not really at the center of the story. It doesn’t provide any of the key dramatic elements or move the story along. The friendship between the two is certainly key to Williamson’s ability to observe both sides of the mutiny and survive the massacre, but you could easily remove the gay element from the story and still have essentially the same tale. Cawnpore is, in many ways, an adventure tale where the main character happens to be gay, rather than a ‘gay’ historical novel.
So, where does that leave us? If you’re looking for a gay romance, you almost certainly won’t like this book, especially given the ending which is anything but happily-ever-after. Cawnpore will appeal more to someone looking for action and adventure tales of war. While I wouldn’t compare the writing of the two, this book is more in the vein of Mary Renault’s Fire From Heaven than most contemporary gay historical books. The writing is competent and sometimes vivid when describing scenes of battle, but it gets a little flat when it comes to the people and personal relationships. Once the mutiny begins, the scenes between Williamson and Mungo are quite short and even rushed when compared with the colorful descriptions of time spent with the Indian rebels, night raids or calvary charges.
Stories of battle and war aren’t exactly my cup of tea. I have, nonetheless, read quite a few of them. The ones I enjoy are carried along by the relationship between the main characters, which typically develops and changes over the course of the book, whether it’s the tried and true enemies-that-become-friends theme or something more unusual. This is the main failing of Cawnpore, for me. The relationship between Williamson and Mungo springs forth almost fully formed in an early chapter, and remains relatively unchanged for the rest of the book. Yes, there are arguments and disagreements, but they’re little more than lover’s spats.
Given the meticulous research and vivid descriptions of the mutiny, Cawnpore deserves three stars. I was tempted to give it more, but the flatness of the characters and lack of depth to the key relationship holds this book back.
(reviewed within a month of purchase)
on March 29, 2012 :
A intriguing tale of the imbalance between two worlds, and the ultimate clash between the love of another man and love of one's country. Set during the time of the Indian mutiny of the 1840's, (which is an odd descriptor as it was only a mutiny from the English invader's perspective). The details are well researched and the storyline concurs well with the known facts although I found the final ending a tad melodramatic and cliched. Overall I enjoyed this book more than the author's earlier novel the prequel 'The White Rajah', which I read after reading 'Cawnpore'. Well recommended read.
(reviewed within a month of purchase)