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From the red deserts of Morocco, to the dark, fogged in streets of London, I have traveled the world soaking in both landscape and history to create a tapestry of collective memory. When I write, I pull constantly from this web of ideas; scraps of lectures, newspaper clippings, long lost vistas, the sensation of a soft touch, the distinctness of foreign smells. Through my craft I am concerned with stimulating all of the reader's senses, bringing to life the world and future I have constructed. My writing serves to show a possible destination, a possible vision of where we are heading. Though disturbing and dystopian, my vision is one that brings out the essence of the human experience; the choice to fight oppression or to submit, the choice between what is right and what is wrong. My characters, like most of the people I have met along my journeys, are not so clearly defined. I choose to examine their experience delving into the swirled gray shadows that exist between the world of good and evil.