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I sketched scenes for "Passion and Peril on the Silk Road" during my own road trip through Central Asia. My future husband and I endured landslides, village lockdowns, and cold-water shangri-las... bought ancient beads and carpets from refugees... survived being conned and being arrested. I discovered that traveling the borderline between wonder and insanity creates the most anxious characters and the most chilling plots. My work is also influenced by my close observation of the art and antiquities world.