This is a story of a young man, a folk-music playing flower-child of the late sixties who hitch-hikes across Canada with his young lady love. He is the quintessential Flower Child, the precursor of the hippies of the early 70s. As all good stories go, love is lost and the young man finds himself again wandering across Canada and USA in search of healing for a broken heart, for the Magical Other. More
This is the first in a series of stories that takes the idea of being clothed by the sky, being au naturel, as a means of healing trauma. The main character of this story is introduced is a scene where he is nude. His nudity is an unconscious response to trauma, a response that is healing on different levels. I use the term skyclad intentionally because it has a spiritual connotation that goes back to the beginnings of humanity’s response and relationship to itself and to its creator.
Our creation story begins with humans in a state of perfection and holiness, unclothed in the Garden of Eden. A traumatic act caused this state of holiness to be broken. Feeling the shame of this trauma, and all victims of trauma feel shame, humans hid. We are told that we can return to the Garden of Eden, to heaven by doing the work to regain our innate holiness that remains within us. The real journey we all take is about healing the soul and regaining the purity in which we were created. Our creator knew us as perfect and good when there was nothing to hide and nothing to hide behind. Heaven isn’t clothing optional, nor was the Garden of Eden. You have something to hide? You can’t get in.
Trauma takes many forms: physical trauma, relationship trauma, psychological trauma, emotional trauma, and identity trauma. Trauma is real and it marks one for life. One can’t wish it away, or drown it with alcohol, or wipe it out with drugs, or erase it with therapy, or ignore it by filling life to the brim with things and activity. Rather than ignore trauma, we learn to see it as it is. Only then can we make choices to learn from the trauma and heal.