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An award-winning writer and novelist living in Yorkshire (England, UK), Linda Acaster is the author of five novels, a fiction-writer's resource, and over 100 articles & short stories ranging from Horror to Crime to Literary. See links below.
on March 19, 2014 :
'Bull at the Gate' is the second novel in a trilogy - and what a trilogy! This is a dark thriller of a story with many themes and a blending of ancient and modern beliefs. Nick, the hero, is an engaging character, surrounded by immense problems and struggling to understand dark forces. All the way through, Linda Acaster cleverly weaves it so the reader is not sure of Nick, an unsettled, beleaguered young man of only twenty-two, trying to make his way in a modern setting that ignores all non-material aspects of the world. He is grieving and yearning for the loss of his lover Alice, but is Alice truly dead? If she is, who or what killed her? What part did Nick play in that tragedy? When another young woman Sophie vanishes, what part has Nick played there?
Nick feels responsible but is he? Is he deluded? Is he psychic? Are the horrifying visions the sensual visions that he experiences from within himself or from lethal, ancient forces outside? The author cleverly shows how 'modern' man reacts to these strange events by revealing how the police view Sophie's disappearance and Nick's odd history. Who is to say they are mistaken? That is the beguiling tightrope walk we are sent on throughout 'Bull at the Gate'. The final third of the novel, with Nick desperately seeking to find Sophie and Alice, is a exciting historical chase, full of twists and turns, fascinating clues and high stakes. Linda Acaster makes the reader care for her characters: they are not pawns being shifted about in a heartless chess game of 'find the historical fact'. This is superior story-telling of the highest order.
The novel has a long reach, with flashbacks to Roman times and a parallel storyline that reveals the beliefs of that period. Is there a time portal that opens? What is the deadly shape-shifter that lurks in water? These questions are left hanging for the third novel but so much is going on it does not matter. The author uses the setting and landscape of York superbly, making the city itself a mystery and a character. I walked the streets with Nick, learning with him the layers of the ancient Roman and Celtic settlements hidden just beneath those of the Medieval and Viking. The river, too is a character, both a source of life and a threat.
Trilogies and series novels always need to avoid the danger of leaving the reader feeling unsatisfied before the final novel that draws all the series threads together. 'Bull at the Gate' avoids this by having a second, strong storyline concerning the missing young woman Sophie. This story is cleverly enmeshed in the larger themes of the trilogy and the reader cares about her, especially in relation to the hero of the series, Nick. Nick is a great character, the glue that holds the series together. He thinks he is not brave but he keeps going, keeps struggling, keeps feeling, often in the teeth of overwhelming odds. By the end of 'Bull at the Gate', the reader has been in a hectic adventure, has had some resolution and can put the book aside feeling satisfied, while at the same time looking forward to the final part of the trilogy.
(reviewed the day of purchase)