Oil Painting: Painting An Autumn Landscape

Oil Painting: Painting An Autumn Landscape walks artists of all skill levels through the process of painting an autumn landscape one step at a time. Includes the artist's comments on selecting the subject for a landscape painting, deciding whether or not to draw the landscape, and choosing and preparing the painting surface. Step by step instructions detail the painting process. More

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About Carrie L. Lewis

Carrie L. Lewis has been drawing and painting for over 35 years. Her interest in art began very early, with parents providing crayons and paper. She sold her first horse portrait at the age of seventeen and has been painting beautifully detailed portraits of horses for clients all over the United States ever since.

Her oil painting technique draws from the work Johannes Vermeer (1632-1675) and William Bouguereau (1825-1905). In addition to borrowing their techniques, she uses as many classical materials as possible, including best possible oil paints.

Carrie also works in colored pencil using many of the same techniques used for oil painting.

Carrie has participated in exhibits in such locations as Lone Star Park Race Track, Grand Prairie, Texas and Remington Park Race Track, Oklahoma City, Oklahoma. In 2003, she participated in Village Place, a one-time show in Louisville, Kentucky during Kentucky Derby weekend.

Since the early 90s, she has worked with the Michigan Harness Horseman's Association, donating custom portraits to their annual benefit auction. Monies raised during this annual art auction help fund a scholarship for the son or daughter of a member horseman.

In 2007, Carrie's painting, "A New Day", was short listed in the Shadwell Estates Ltd. 2007-08 Stallion Brochure Competition.

"I have always loved horses. It is a joy born within, placed deep inside by God above.

"Classical art has been a love since my first encounter with it. The works of such Great Masters as Rembrandt, Vermeer and Bouguereau have the ability to stir the soul and inspire my own creativity like no other art form.

"I suppose, given those two passions, it was natural that I should eventually learn and adapt the techniques of those Old Masters to my own attempts at capturing the spirit of the horse in oils."

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