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Some people posit that Katherine Lampe is a construct capable of existing in multiple realities simultaneously. Others maintain that she is a changeling, or at least has a large proportion of non-human blood. It is possible that her brain is the result of a government experiment, although which government is uncertain and as of this date none has claimed responsibility.
on Sep. 01, 2014 :
This one is a real page-turner.
Katherine Lampe writes something like paranormal fiction but her protagonists aren't vampires or shapeshifters. They and other characters in her books have some personal magic power, and also access power and communicate with supernatural entities use a variety of magic forms and rituals that are common in the Americas and Europe. This lets Katherine get her characters into and out of trouble using everything from Tarot readings to shamanic journeying to charms you can buy off the Internet or make with supplies from your local craft store, which I think is a lot of fun.
The relationship between protagonists Caitlin and Timber (who are married) is a delightful change from the usual antagonistic romantic relationship (or its opposite, the soulmates-until-the-end-of-time-even-though-we-only-met-two-days-ago relationship) in many paranormal romances.
This novel uses elements and gods from African religions, and the antagonist is an African woman. Because people might feel this is cultural appropriation, Katherine includes an afterword explaining her choices and how she researched these subjects. Because of that and because I'm white and they aren't my religious elements or gods, my enjoyment of the story wasn't affected.
The story shifts between Caitlin's and Timber's POVs. They have really distinctive voices. For example, Timber is much more tentative about communicating with himself verbally. I really sense that his relationship to the world is mediated through his body.
Sexual harrassment is often used as a plot driver in the paranormal genre in ways that make me uncomfortable: there is a trope (I'm looking at you, Charlaine) where male characters use sexual harrassment against female characters as a form of flirting/power-jockeying with other male characters. I hate that, and I am glad that is NOT done in this book.
I was glad to see Tintri Fionn again, from an earlier book. He's one of my favorite characters.
(reviewed long after purchase)