Daniel Koehler is the author of four novels, "Flyover Country" (2004), "The Sleeping Cab" (2006), "Unbankerly Behavior" (2008), and "Splitting Washington" (2010). His short pieces have appeared in The Best of Tales From the South, The Birmingham Arts Journal, New Works Review, BareBack Magazine, Inner Sins, The Rusty Nail, The Storyteller, The Harvard Bulletin, among others. Literary honors include finalist status in three international screenplay competitions and regional awards for his short stories.

Prior to his writing career, he pursued professional interests in New York City. He has written software used extensively in the financial sector. He attended Leopold-Franzens Universität in Innsbruck, Austria, and is a graduate of the University of Notre Dame and Harvard.

Website: http://www.amazon.com/Daniel-Koehler/e/B00471O4W8/ref=ntt_athr_dp_pel_pop_1
Twitter: DanielKoehle

• "Nothing's too good for my baby... cause nothing is all she's good for." http://t.co/3yo2s3gNmV
• "Go South, JD. To Texas." I laughed. Hell, my life’s already 'gone South.' What I need now is to go home." http://t.co/cs61jnyae9 #kindle
• "You putz!” she said, Long Guyland in her voice.“That's twice for putz," I said."So what does that tell you, bubie?" http://t.co/IvKqsgjccP

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Shaina Richmond
Latest book: Safe With Me, Part 8 (The End). Published on June 23, 2012. (5.00 from 9 reviews)
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• Safe With Me, The Beginning on July 03, 2011
  
  Shaina Richmond writes great erotica with very sexy, engaging characters who are, at the same time, believable. Her male POV (Tyler) shows an understanding of the male erotic drive without being crude and priapic. Susis is outspoken about her sexuality and this turns Tyler on to the point of obsession. Shaina is a writer to be reckoned with.
  
• The Lummox on April 24, 2012
  
  "An epic poem for our time—short and has pictures." This is a hilarious, delightful little book! Seuss-like in color and form, the charming illustrations and fabulous characters soothe us like those from our Little Golden Books of yore. Assuredly, you will thrill as you have never thrilled before to the story of a displaced beast of burden, unyoked and seeking vindication, vying for his rightful place in the environmental Pantheon. "The Lummox" should have received the Nobel Prize instead of the somnolence-inducing political animal who actually did. Aye, but what might have been has no place in Augenblecq's wonderful pastel fable. Lo, The Prize remains secure, and I expect that the real-life counterpart of Augenblecq's eponymous cartoon quadruped keeps his socialist souvenir appropriately stored away in the same mythologized lock-box wherein our Social Security trust funds also reside.