Why is ‘being drunk’ important to you?
I think I was 13 or 14 when I first read Douglas Adams’ ‘Hitchhikers Guide to the Galaxy’. In it Arthur Dent asks about the experience of travelling through hyperspace. Ford Prefect tells him: ‘It’s unpleasantly like being drunk.’
“What’s so wrong about being drunk?”
“Ask a glass of water.”
I didn’t know the difference between an adjective and a passive verb at the time (I don’t think I’d even been drunk), but I remember being awe-struck, and it was my first inkling of what you can make language do.
When did you start writing?
In my twenties I got into the movies of Hal Hartley and wrote lots of short screenplays featuring that terse (annoyingly self-aware) language. Then I studied philosophy and my sentences suddenly became half a page long. Fortunately my first work in journalism (and Harold Evans’ ‘Essential English’) cured me of that, though I still think a well-constructed half-page of relative clauses, even if it owes more to architecture than writing, is a thing of beauty.
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