Susan Kaye Quinn


Susan Kaye Quinn is the author of the bestselling Mindjack Trilogy and the Debt Collector serial, as well as other speculative fiction novels and short stories. Her work has appeared in the Synchronic anthology and has been optioned for Virtual Reality by Immersive Entertainment. Her business card says "Author and Rocket Scientist" but she mostly sits around in her PJs in awe that she gets to write full time.

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Third Daughter (The Dharian Affairs #1)
Price: Free! Words: 92,980. Language: English. Published: September 2, 2014. Category: Fiction » Science fiction » Steampunk & retropunk
Skyships, saber duels, and lots of royal intrigue... and, of course, kissing. The Third Daughter of the Queen wants her birthday to arrive so she'll be free to marry for love, but rumors of a new flying weapon may force her to accept a barbarian prince's proposal for a peace-brokering marriage.
Open Minds (Mindjack Trilogy #1)
Series: Mindjack Trilogy, Book 1. Price: Free! Words: 91,460. Language: English. Published: October 24, 2011. Category: Fiction » Science fiction » Utopias & dystopias
When everyone reads minds, a secret is a dangerous thing to keep. Sixteen-year-old Kira is a zero who can’t read thoughts, an outcast who has no chance with Raf, the mindreader she secretly loves. When she accidentally controls Raf’s mind, Kira hides her ability. But lies tangle around her, and she’s dragged into a world of mindjackers where she’s forced to mind control everyone she loves.

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Smashwords book reviews by Susan Kaye Quinn

  • Let's Get Digital: How To Self-Publish, And Why You Should on Aug. 18, 2011

    Let's Get Digital: How to Self-Publish and Why You Should by David Gaughran is a book you should read, regardless of whether you intend to self-publish or not. There are many who still line up in the traditional-publishing vs. self-publishing tug-of-war, vowing a to-the-end throw down over which is best. But increasingly, as the E-Revolution wears on, authors aren't choosing traditional-pub vs. self-pub - they're doing BOTH. Traditionally published authors are self-publishing their backlists (one of my favorites is Arthur Slade, who helpfully posts charts and stuff). Self-published authors are being offered traditional publishing deals (here's the latest). Authors are self-pubbing some books while waiting in the traditional publishing trenches (see my recent interview with Kris Yankee). Everyone has a stake in understanding this new self-publishing movement. The second half of Gaughran's book is a comprehensive how-to for self-publishing, and I recommend that part for those who are heading down that path. But the first half of the book, while making a strong case for why you should self-publish, is actually a concise analysis of the E-Revolution. As such, I think everyone would benefit from reading it. This in particular struck me as the game-changing part of the self-publishing movement: "But what (traditional publishing advocates) don't realize is that the rise in self-publishing is good for them too. If you are a trade-published writer with no interest in self-publishing, the increased viability of self-publishing is good for you...With up to 70% royalty rates available through self-publishing, from now on, every time an author negotiates with a publishing house, the publisher will know that the author has another option." When in negotiations, having other options always strengthens your hand. Many authors may not seriously consider self-publishing, but the industry as a whole knows the option is there. Whatever path you choose, it pays to know how the game is being played.