What brought you to writing?
Read voraciously from early childhood. Teenage years were dancing, girls, hill walking. Then at twenty I got the idea one afternoon that I could do anything I wanted with my life. I chose to write - much to my surprise. A few months later a not untypical event occurred that was to determine the trajectory of that writing, though of course I didn't know it at that time. Destiny? Why not? To paraphrase the I Ching, everything has acted to further this writing project. Still does, in fact.
Download DARK LIBERATION: AN INTRODUCTION (free) for an overview of the main body of my work.
Some influential books?
Three come to mind.
Norman Mailer's AN AMERICAN DREAM. The rhetorical drive pushes you towards the edge (a pervasive 1960s experience), and at one point - where Rojack is tempted to commit suicide - over that edge. A stunning existential work that illustrates the power of the imagination to make real.
Flann O'Brien's THE THIRD POLICEMAN. Arguably the best Irish novel of the twentieth century (Joyce's work is essentially European), that points up the disjunct between Reason and experience within the Irish psyche, best illustrated by the following joke. A group of Irishmen in London plan a trip to a sea resort. The day being fine, many more want to come, so that the hired bus became very overcrowded. Stopped in traffic on the way, a man standing in the back suddenly shouts out: "Look, there's an empty bus behind!" So they all get off the full bus and clamber onto the empty bus. A curious feature of this mindset is that it suggests the existence of a third way of discerning reality, one that makes both this joke and THE THIRD POLICEMAN possible.
A. A. Van Vogt's QUEST FOR THE FUTURE. Van Vogt was a prolific writer of science fiction short stories in the 1940s. After a hiatus, he began to produce novels in the 1960's by linking his short stories together - which he called "fix-ups" - sometimes to quite remarkable effect. QUEST FOR THE FUTURE, an amalgam of very disparate stories, is regarded by many as his finest work. It is an instructive example of the lengths inspiration will go to find expression, in effect to surpass even the writer himself.
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