Nonfiction » Art, Architecture, Photography » Performing arts » Theater / broadway & musical revue

My Big Fat Broadway Debut! Volume 3: Big Breaks, Big Days
Price: $2.99 USD. Words: 5,130. Language: English. Published: December 22, 2017. Categories: Nonfiction » Biography » Celebrity biography, Nonfiction » Art, Architecture, Photography » Performing arts
My Big Fat Broadway Debut! the ebook miniseries chronicles the remarkable journey of Steven Cutts, who went from being a kid with a dream to being a pro on the Broadway stage. The book is packed with stories, wisecracks, pitfalls, and sage advice from a true industry insider.
My Big Fat Broadway Debut! Volume 2: Big Move, Big City
Price: $2.99 USD. Words: 4,330. Language: English. Published: April 23, 2017. Categories: Nonfiction » Art, Architecture, Photography » Performing arts, Nonfiction » Art, Architecture, Photography » Performing arts
My Big Fat Broadway Debut! the ebook miniseries chronicles the remarkable journey of Steven Cutts, who went from being a kid with a dream to being a pro on the Broadway stage.
My Big Fat Broadway Debut! Volume 1: Big Dreams, Big Lessons
Price: $2.99 USD. Words: 4,980. Language: American English. Published: July 28, 2016. Categories: Nonfiction » Art, Architecture, Photography » Performing arts, Nonfiction » Art, Architecture, Photography » Performing arts
My Big Fat Broadway Debut! the ebook miniseries chronicles the remarkable journey of Steven Cutts, who went from being a kid with a dream to being a pro on the Broadway stage.
Edna Mae Pettie Theater Actress From Syracuse, New York
Price: $1.99 USD. Words: 1,410. Language: English. Published: February 27, 2016. Categories: Nonfiction » Art, Architecture, Photography » Performing arts, Nonfiction » Children's Books » Performing Arts / Theater
It is questionable as to which producer took more of a hand in promoting Edna May Pettie in her career. Oscar Hammerstein is credited with giving her her first break when she requested to be a part of his chorus. Then there was George W. Lederer who managed her in the U.S. before she left for Europe under the direction of Charles Frohman. Not a great talent, her primary asset was her genuineness.