Genre confuses writers, but everyone who buys, sells, or reads our books wants to know what genre we're writing in. This mini book will demystify genre so we can better understanding what we're writing and who might want to read it.
Three bestselling writing resources in one set! Experienced fiction editor Marcy Kennedy’s has put three of her popular Busy Writer’s Guides together. Dialogue, point of view, and description are foundational skills you need to master to create vivid fiction that balances your character’s internal life with the external story world in a way that keeps readers turning pages.
Three popular writing craft books are now available together. When you master showing and telling, deep point of view, and internal dialogue, you'll create vivid fiction that engages your reader emotionally. The books in this set put writing craft techniques into plain language alongside examples, so you can see how it all looks in practice, and combines it with practical exercises.
Description in fiction shouldn’t be boring for the reader or for the writer. Description: A Busy Writer’s Guide will help you take your writing to the next level by exchanging ho-hum description for description that’s compelling and will bring your story to life, regardless of the genre you write.
Do you want readers to be so caught up in your book that they forget they’re reading? Then you need deep POV. Deep POV places the reader inside of our characters—hearing their thoughts, feeling their emotions, and living the story through them. In Deep Point of View: A Busy Writer's Guide, you'll learn specific, practical things you can do to take your fiction to the next level with deep POV.
Point of view isn’t merely another writing craft technique. Point of view is the foundation upon which all other elements of the writing craft stand—or fall. In Point of View in Fiction, you'll learn how to choose the right POV for your story, how to avoid POV errors, how to choose the right viewpoint character, and much more.
Internal dialogue is one of the most powerful tools in a fiction writer’s arsenal. It’s also one of the least understood and most often mismanaged elements. In Internal Dialogue: A Busy Writer's Guide, you'll learn the difference between internal dialogue and narration, how to format internal dialogue, how to balance it with external action, how to use it to advance your story, and much more.
The world of grammar is huge, but fiction writers don’t need to know all the nuances to write well. In fact, some of the rules you were taught in English class will actually hurt your fiction writing, not help it. Grammar for Fiction Writers won’t teach you things you don’t need to know. It’s all about the grammar that’s relevant to you as you write your novels and short stories.
Showing and Telling in Fiction will help you clearly understand the difference between showing and telling, provide you with guidelines for when to show AND when to tell, and give you practical editing tools for spotting and fixing telling in your writing.