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I am a firm believer in the maxim that history is stranger than fiction. There are countless times when I have come across a character or incident that has been so hard to believe that I have had to search out other sources for confirmation. Thomas Cochrane who features in my first book is one of those, his real life adventures seem ridiculously far fetched for a fictional character. The Begum of Samru from my second book is another: a fifteen-year-old nautch dancer who gained the confidence of an army, had a man literally kill himself over her and who led her soldiers with skill and courage, before becoming something of a Catholic saint.
History is full of amazing stories and in my books I try to do my bit to tell some of them. When I thought of a vehicle to do so, the Flashman series from George MacDonald Fraser came to mind. Most of what I know of the Victorian era was prompted by his books. The concept of a fictional character witnessing and participating in real historical events, while not unique, has rarely been done better.
George MacDonald Fraser was an exceptional writer and he developed a character that he took from Tom Brown's School Days into a truly legendary figure. While Harry Flashman might not have been a typical Victorian, he certainly brought the period to life. For me, the Regency/Napoleonic era was one of even greater colour and extremes and so I have created a new earlier member of the family: Thomas Flashman.
There are similarities between the generations in that they both have the uncanny knack of finding themselves in the hotspots of their time, often while endeavouring to avoid them. Thomas though is not exactly the same character as Harry Flashman, this is partly accidental and partly deliberate.
For example, Harry Flashman makes prolific use of the 'n' word which will never appear in my work. This is not just political correctness but reflects the different times the two fictional characters occupy. While Harry Flashman in India thrashed and abused the natives; in Thomas' time many British were in business with Indian partners or had Indian wives. The British Resident of Delhi went so far as to marry a harem of thirteen Indian women who used to parade around the city every evening on elephants.
As several reviewers have pointed out Thomas is not quite the vicious villainous rogue his nephew became, at least in the first book. But the character develops more in the subsequent books with increasing levels of skulduggery. The genius of George MacDonald Fraser was to create a spiteful bully that the reader could still relate to. I have tried to convey a character that lived in his time and who balanced cowardice, pride, lust etc with the need to bring the reader with him.
For more information, check out my website, www.robertbrightwell.com
on May 28, 2014 :
It's a rare pleasure to find an author on Smashwords who writes well. Robert Brightwell's third book in his Flashman series is the work of a writer who makes the language work for him and who has done a huge amount of research. What impressed me most, though, is his incredible imagination and skill in describing insanely outrageous incidents which seem perfectly normal somehow and fit right in the story line.
This Flashman is more human than Fraser's Flashman. Sometimes he's even likeable. And subsidiary characters are three-dimensional -- my favorite is Boney, the dog.
You should be warned that this book is about war, total war, and not in the 20th century but in the early 1800's in Spain and Portugal. Also, the author's dialogue is not strictly Regency in style, but for me that's not even a quibble.
I really enjoyed this book.
(reviewed 6 days after purchase)