Cartesian Nuts: Rewriting the Platonic Androgyne in Angela Carter’s Japanese Surrealism, Femspec Issue 6.2, 2005

“In her otherwise largely realist fiction before Japan, Carter often used a male protagonist, her feminism consisted mainly of female characters’ exploitation and final destruction or violently taking the role of the male characters. This binary, as it happens, informs Carter’s analysis of Sade’s work, where women are classified into two types." More

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