Fetch, an Unwilling Love Story

Artist Morgan Dunbar works as a doorperson during the daylight hours so she can afford to practice her art at night. Amber, a wealthy, snooty resident of the building, acts like Morgan is invisible. An overwhelming disaster forces the two women to work to together as they try to make it out of Ground Zero alive. Will this tragedy cause Amber to see Morgan as more than Fetch this or Fetch that? More

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About B.L Wilson

B.L. has always been in love with books and the words in them. She never thought she could create something with the words she knew. When she read ‘To Kill A Mocking Bird,’ she realized everyday experiences could be written about in a powerful, memorable way. She wasn’t quite sure what to do with that knowledge so she kept on reading.

Walter Mosley’s short stories about Easy Rawlins and his friends encouraged BL to start writing in earnest. She felt she had a story to tell…maybe several of them. She’d always kept a diary of some sort, scraps of paper, pocketsize, notepads, blank backs of agency forms, or in the margins of books. It was her habit to make these little notes to herself. She thought someday she’d make them into a book.

She wrote a workplace memoir based on the people she met during her 20 years as a property manager of city-owned buildings. Writing the memoir, led her to consider writing books that were not job-related. Once again, she did…producing romance novels with African American lesbians as main characters. She wrote the novels because she couldn’t find stories that matched who she wanted to read about …over forty, African American and female.

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