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Blair Bancroft recalls receiving odd looks from adults as she walked home from school at age seven, her lips moving as she told herself stories. And there was never a night she didn't entertain herself with her own bedtime stories. But it was only after a variety of other careers that she turned to serious writing. Blair has been a music teacher, professional singer, non-fiction editor, costume designer, and real estate agent. She has traveled from Bratsk, Siberia, to Machu Picchu, Peru, and made numerous visits to Europe, Britain, and Ireland. She is now attempting to incorporate all these varied experiences into her writing.
Blair's first book, TARLETON'S WIFE, won RWA's Golden Heart and the Best Romance award from the Florida Writers' Association. Her romantic suspense novel, SHADOWED PARADISE, and her Young Adult Medieval, ROSES IN THE MIST, were finalists for an EPPIE, the "Oscar" of the e-book industry. Blair's Regency, THE INDIFFERENT EARL, was chosen as Best Regency by Romantic Times magazine and was a finalist for RWA's RITA award.
Blair believes variety is the spice of life. Her recent books include Historical Romance, Romantic Suspense, Mystery, Thrillers, and Steampunk, all available at Smashwords.
A long-time resident of Florida, Blair fondly recalls growing up in Connecticut, which still has a piece of her heart.
on Feb. 04, 2017 :
Traditional Regency worth reading
(reviewed 41 days after purchase)
on Oct. 02, 2011 :
what writing! murder, mystery, i couldnt do my job for sneeking to peek at my story
(reviewed 27 days after purchase)
on Aug. 26, 2011 :
This is a combination murder mystery and romance. The characters are really quite entertaining, overall, and for the most part, the off-again-on-again emotional connection of our protagonists feels pretty reasonable. The mystery part doesn't quite follow all the mystery tropes (mystery buffs may be disappointed), from what I know of mystery tropes, but it's being an unexpectedly deep backset to a romance, with romancy tropes -- and those seeking romance tropes should be satisfied, methinks.
I do quibble at the scene where the readers are given the who-dun-it identity; I wish there'd been some other way to get that data across. But it's pretty minor and a personal quibble; I just don't like "spoilers" for mysteries, even when the author's doing the "spoiling"!
My main complaint is the last two chapters, where the emotional half of the situation wraps up in a way that is kind of... syrupy-sweet. I think that Vanessa's personality was shifted to something overly traditional, instead of pleasingly tart. (I liked her attitude, darnit! Why shouldn't a fulfilled romance still have a few prickles amidst the roses?)
Still, that's two chapters out of many, and since I can't do half-stars, I'll err on the side of more, rather than less.
(reviewed 37 days after purchase)