Where did you grow up, and how did this influence your writing?
I grew up in Toronto, Canada. The most obvious way this influenced my writing was that I was exposed to both British and American humour (Canada being on the periphery of both empires). This gave me a wider array of comic options to choose from when I started writing than if I had been born wholly in one culture or the other. (I also had access to Canadian humour, which is its own unique beast. It is! It is! I know it is! CodCo - I rest my case.) I believe that my humour is richer and more complex because of this.
My family moved around somewhat when I was young. In the 1960s, for example, we spent some time in Berkeley, California. In the early 1970s, we lived for six months in Israel, and, for all but the final two weeks or so, we were told that we had moved there permanently. When we did leave, we drove across the country to Haifa, had a cruise up the Mediterranean and spent a week in Paris (where my dad is from and still has family). On the one hand, it was a difficult experience for me: I lost a year of school, with all the social and intellectual implications that that, uhh, implies. On the other hand, I learned first-hand that the way people in my country live is not the only way one can live. That gave me the ability to question why things in our society are the way they are, an ability that I believe is an important part of being a writer. It took me a lot of retrospect to appreciate this, but I now believe that travel when one is young can be an important part of a artist's growth.
When did you first start writing?
When I was eight years old, I had a conversion experience (you’ve probably heard a story similar to mine: a kid was given a camera when he was 10, and all he ever wanted to do with his life was make movies): in the parking lot of my grade school, I decided that I wanted to devote my life to writing comedy.
I've been doing it ever since.
The first thing I wrote were parodies of the Sherlock Holmes stories that I was reading at the time. I used the backs of my dad’s legal sized accounting pads (the fronts had too many criss-crossing lines). I wrote three stories; each one took up a single sheet of paper. I remember thinking to myself, “How do writers fill their stories with so much detail?” Since then, I have written 22 collections of short stories, six collections of cartoons (all of which can be found on my Web site), a novel, 15 short stories and novelettes and over 100 (alas, mostly unproduced) scripts for film, radio and television. I guess I must have figured out the secret…
(Oh, just so you don’t think I was a precocious child – how many children actually devote their lives to what they want to be when they are eight years old? – I was watching an episode of The Green Room with guest Eddie Izzard one evening. Izzard told the story of meeting his idol, Richard Pryor. In the course of their discussion, they found that they had something in common: they both knew they wanted to be comedians when they were four years old. FOUR YEARS OLD! So, far from being precocious, I was already actually four years behind!)
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