Kay Williams


As well as a successful author, Kay Williams is a professional actress. She earned her Actors Equity card in San Francisco where she played many roles, including the title role in Miss Jairus, Cybel in Great God Brown, Rosalind in As You Like It, and Amelia in The House of Bernarda Alba for the nationally famous Actor’s Workshop. She was with the Pittsburgh Playhouse for two years, and from there moved to New York City, living in a 6-floor walkup (a women’s residence that provided free breakfast!!) while she made the rounds. She was hired by the Jackson, MS Theater Center to replace Mercedes McCambridge as Regina in The Little Foxes and stayed on to do several other plays including originating the role of Queen Elizabeth I in a new play, Masquerade, that opened off-Broadway. She has also acted in TV shows and in movies, but finds stage acting more challenging and rewarding.

A lucky break landed her a job with a prize-winning independent filmmaker and that gave her flexible hours to audition and rehearse. She was cast in a number of new off-Broadway plays (it was an exciting time for theater in NYC).

When acting roles began to dry up, it seemed natural to gravitate to writing, and she’s surprised to find she doesn’t miss acting all that much (although she still has occasional nightmares of being onstage and not knowing which play she’s in). A big plus with fiction writing is: you can play all the characters!

The author’s move into the crime-ridden, sleazy Hell’s Kitchen of 1977 provided the catalyst for the award-winning thriller, Butcher of Dreams, co-authored with Eileen Wyman. Kay’s wide ranging acting credits and theater experience gave focus to this character/plot driven mystery that centers around the struggling 42nd Street repertory theater where much of the action takes place.

Kay’s years with the filmmaker gave her production credits for two films, respect for the courage of independent filmmakers, and took her to the Cannes Film Festival, where for a month she shared a villa overlooking the Mediterranean with cast and crew. She traveled with the filmmaker to Leningrad in 1991 where she received the idea for The Matryoshka Murders. Anything could happen here, she thought, in this city at this desperate time (just a few months before the USSR broke apart).

Eileen Wyman, Kay’s writing partner, helped organize photos and notes collected from the trip, and together they drafted a plot and wrote this thriller that begins in Russia and jumps across an ocean to New York City.

Eileen, known to friends as Jo, an amazing, talented woman, tragically passed away on Sept. 6, 2013, just after The Matryoshka Murders was completed, but before the book was published. She is deeply missed by family and friends.

Kay is also a co-author of the comic romance One Last Dance: It’s Never Too Late to Fall in Love, started by her journalist father Mardo Williams, and finished by her and her sister Jerri Lawrence. One Last Dance has won several awards, including an Ohioana Award (to Jerri and Kay) for writing and editing excellence.

Coming next (dedicated to Jo) will be a series: New York City, Collected Letters, 1956-57: Were We Ever That Young?, the hilarious, heart-breaking and hair-raising adventures of two starry-eyed girls from the Midwest (Kay and Jo) who arrive in New York City with big dreams of success. Part Two will be San Francisco, Collected Letters, the Sixties.

Smashwords Interview

Kay and Eileen, let’s begin by having one of you just tell us basically what “Butcher of Dreams” is about.
Eileen: “Butcher of Dreams” is a suspense thriller set in the 1980’s Hell’s Kitchen when porno shops, girlie shows, prostitution and crime ran rampant. With this seedy and ominous Off-Broadway theater district as the backdrop, actress Lee Fairchild is attempting to start a repertory theater in an abandoned burlesque house.

Grieving for her husband, who recently died of a heart attack (and missing her daughter who’s away at college), Lee is vulnerable and, against her better judgment, falls into a passionate affair with a younger man. After a ritual Aztec mask is stolen from her home during a cast party, bizarre, seemingly unrelated events plague the theater. A homeless person is found dead on the third floor, his ring finger missing; an actress is poisoned; an actor stabbed. Strange marking are found painted on a set in construction. Is the stolen Aztec mask with its ancient curse somehow connected?

Who is the madman behind the destruction that is threatening the future of the theater (Lee’s dream-come-true)? Lee’s mercurial cast and crew become suspects as events escalate to ritual murder, and Lee herself becomes a target.
Will you tell me a little bit more about the Aztec mask and the curse associated with it. Is the ritual murder related to the Aztec culture? What about the Aztec culture interested you enough to include it in the book?
Kay: The mask has two grotesque half faces, three bright blue fiercely staring eyes, a long black tongue hanging out of its mouth. (The long black tongue signifies thirst, a thirst for blood perhaps.) When Lee and her family visited Mexico, an Indian reluctantly sold the mask to her husband Richard, saying it would bring bad luck to anyone who owned it. Supposedly, it had been stolen from the Tomb at Monte Alban, the City of the Dead, and had been used in Aztec sacrifices. Six months later Richard was dead of a heart attack. Maybe the Indian was right, Lee thinks. Richard was too young, too healthy to have had a fatal heart attack.

At the cast party later, the actors, intrigued by the mask, remove it from the wall and, as a lark, several try it on. Alan confesses, “The mask took me over.” His friend Walter asks to borrow it for a talk he’s doing on Indian rites and occult practices for the Society of Medical Anthropology. At the end of the party, Lee discovers the mask is missing. And that’s when the havoc begins. Detective Green thinks someone may be trying to scare them out of the theater which, with the gentrification of Hell’s Kitchen, may soon become a desirable property. Green also postulates that a cult is involved.

Aztec/Mexican symbols, rites and rituals, including the Cult of the Animal Protector, are intrinsic to the plot right up through the chilling climax.
Read more of this interview.

Where to find Kay Williams online

Where to buy in print


The Matryoshka Murders-Book Trailer
Kate Hennesey, guerrilla filmmaker, is chased by the KGB through perestroika's Leningrad, only to find back home in NYC she's still THE HUNTED . . .

Hello From East, the Iron Curtain is Broken
I think these fearless activists were a forerunner of today’s Pussy Riot, a feminist rock protest group, three of whose members were jailed by Russian officials in 2012 for their “hooliganism” or heresy. Pussy Riot’s themes are much the same as the Laboratory of Experimental Modeling’s were over 20 years ago: feminism, LGBT rights, and opposition to the policies of political leaders. Warning: This show has partial nudity. For mature audiences.


The Matryoshka Murders
Price: $9.99 USD. Words: 135,090. Language: English. Published: April 16, 2015 by Calliope Press. Categories: Fiction » Thriller & suspense » Crime thriller
Gutsy Kate Hennessey is filming a documentary that targets the harsh choices faced by women in Russia. But killers soon target Kate, and each harrowing escape draws her deeper into the nested plots that threaten. Readers will cheer as she and her Russian friends struggle through the political chaos of Russia—and America—in 1991. "This is a beautifully written, soulful thriller." S. Elghanayan
Butcher of Dreams
Price: $5.99 USD. Words: 171,530. Language: English. Published: August 11, 2010 by Calliope Press. Categories: Fiction » Mystery & detective » Women Sleuths, Fiction » Mystery & detective » General
After a ritual Aztec mask is stolen during a cast party, actress Lee Fairchild finds her world ripped apart by the attentions of something invasive and elemental. An actor is stabbed; an actress is poisoned. Events culminate in ritual murder. Over all hovers the Mexican mask and the shadowy figure who controls it. Lee must fight a madman to save her theater and herself.
One Last Dance: It's Never Too Late to Fall in Love
Price: $9.99 USD. Words: 140,130. Language: English. Published: June 18, 2010 by Calliope Press. Categories: Fiction » Romance » Adult, Fiction » Romance » Contemporary
After a disastrous first meeting, Morgan, 89, moves in with Dixie, age 79, strictly a business arrangement, both maintain. But Morgan has more frivolous pursuits in mind. When a troubled grandson collides with the daring course set by the lovers, not only does he save their lives, but he brings Dixie and Morgan the love and pride they’d lost decades before with the loss of their children.

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