Ralph Middenway


Freelance composer, writer, academic editor; sometime senior executive university and public administration; sometime chief music and opera critic and feature writer; sometime flower farmer; currently PhD candidate (composition) University of Tasmania.

Music publisher: Alexander Street Press, VA.

Where to find Ralph Middenway online


Three exotic short stories
Price: Free! Words: 4,560. Language: English. Published: July 6, 2012. Categories: Fiction » Themes & motifs » Medical, Fiction » Themes & motifs » Crime
'Médecin sans Frontières', 'The Monkey' and 'The Universal Church of the Revelation (Inc.): three short stories, about a Dane, an Ainu and a Texan; teasers for a set of three fables ('Fire Music', 'Golden Pavilion' and 'Midsummer Nights'). The third fable is with Smashwords; the others will be. The short stories are not extracts from the fables, but they share material.
Midsummer Nights
Price: $4.99 USD. Words: 70,230. Language: English. Published: July 4, 2012. Categories: Fiction » Thriller & suspense » Psychological thriller, Fiction » Themes & motifs » Crime
Australia, twenty years from now, three fugitives: Créole Jean de Vine, priest, actor, athlete, is lost in his own private hell; Californian Melissa Harries, kept woman, actor, is lost in hers; Texan ‘Rev. Glen W. Beecher III DD', con-man, drug-dealer, sadist, arsonist and murderer, is on the run from the FBI. 'God has told him' the world will end soon, but his 'flock' can buy into eternity ...

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Smashwords book reviews by Ralph Middenway

  • Gilgamesh on July 10, 2012

    Gilgamesh, like the biblical Old Testament, the Buddhavacana, the Confucian texts, the Mabinogion, the Norse Sagas, the Iliad and the Mahabharata is part of the philosophical foundation of our Indo-European-Semitic culture. There are important resemblances and differences. Gilgamesh and the Old Testament were compiled over a very long time, and they share a folk-memory of a great flood, possibly the period after the last great Ice Age when the rising Atlantic burst through the Straits of Gibraltar into the Mediterranean. The Norse Sagas, the Iliad and the Mahabharata enumerate members of a comparable pantheon (which, by contrast, Jews and Muslims see as a single entity and Christians as a trinity of beings). Gilgamesh, the Mahabharata , the Buddhavacana, the Confucian texts and the Old Testament were written down, whereas the Norse Sagas, the Iliad and the Mabinogion were passed on by bards. There are differences in style, substance and accessibility. For a variety of reasons, Gilgamesh has been relatively inaccessible: it was written down piecemeal in a variety of different styles over a couple of milennia, and, like much of the Old Testament (or, for that matter, much of the Qur’an) it reflects the way of life of an ancient herding society, totally at odds with most modern societies. One difficulty has been that the precise areas of meaning of many of the words or idioms in Sumerian, Akkadian and related languages are simply not clear. (How can an Inuit be expected to understand ‘heatwave’ or sandstorm’, or a Congo pygmy to understand ‘apple orchard’. There are a number of versions in English, some of which are very difficult to follow, lacking any sense of coherence. Now, from what individual scholars have written, it may be true that the heterogeneous collection of tablets that make up the Saga of Gilgamesh are by their nature incoherent, but being told so doesn’t help an anglophone like me with a benign interest in comparative religion. Jeff Barcham has done us all a considerable service. His poetic version of the Saga (Smashwords 2011, ISBN 978-0-646-55776-2) is coherent and literate, with an epic flavour to it. He freely concedes that he has cut and pasted here and there in the interest of coherence, and has presented his material in ways more accessible to modern readers. He also concedes he is no scholar of these ancient languages, but freely acknowledges his sources, works by Andrew George, John Gardner and John Maier, and recommends their works highly to those whose interest he has aroused. His new English version of this ancient story (or collection of stories) is a bridge to what seems like an alien world in terms of time, place and culture. But it’s part not only of where we come from, but also of where we are. No-one with any sense in today’s world would deny that we are constantly touched by the ongoing story of Iraq and its people, and of their neighbours in Syria, Israel, Jordan, Lebanon, Saudi Arabia, Iran and the Gulf States. The Semitic people have been around for a long time, and they’re here to stay.