on Feb. 23, 2011 :
The Adventures of Miss Upton and the Sky Pirate is a swashbuckling romatic adventure in a steampunk Victorian England. Matilda Upton (Tilda) has some magical talent in an England that shuns and fears magic after an attempt on the life of the queen. She is discovered by Sir Magnus Grimshaw, Chief Royal Inventor, and blackmailed into using her skills to kidnap an Oriental inventor. She manages to convince the notorious pirate Black Jack Knight to assist her, and they are off on a round-the-world airship adventure.
The steampunk setting is well-established early, from the cover images, title and opening line. Perhaps a little too well-established - after a while it feels like being hit over the head with those brass and leather goggles. But there is certainly attention to detail in the worldbuilding. Archer has remembered the little things that add verisimilitude to a setting - a pet that is live instead of clockwork and a problematic air filtration system become plot devices instead of mere background detail.
One gripe I have is the use of the word "hellhag" to mean witch or magic-user. It's the only instance of smeerps in the novel and I really can't see any reason for it. The term witch was used long before the Victorian age; according to Wikipedia it [derives from the Old English nouns wicca "sorcerer, wizard" and wicce "sorceress, witch"] and [The modern spelling witch with the medial 't' first appears in the 16th century], so it should have been in regular usage even in an alternate steampunk Victorian England.
The plot is solid with equal attention to both the adventure and romance plots, however it reads more like a romance novel than an adventure. The romance is very predictable and a little contrived at times; anyone who has read a few romances will recognise the major elements. The adventure is more interesting and offers a few good twists. Fans of Amanda Quick, particularly her Vanza and Arcane Society series, would probably enjoy this novel.
The characters slide easily into their assigned roles, but there are a few pleasant surprises. While Tilda is the typical strong-willed, independent heroine of modern romance writing, Jack is a more thoughtful and level-headed hero than is typical. There is a major supporting character who proves more complex than at initial glance; he is substantial enough to warrant his own separate story.
The writing is generally good, though a bit stilted at times. Occasionally a few chunks of exposition are dropped in near the start of the novel, but they are not too unwieldy and do not interfere with the action too much. The pacing is good, but could be improved in parts, especially the romantic scenes. I would rate the romance as sweet/sensual; there is a sex scene but about the most explicit it gets is the word "nipple".
There were a few jarring elements. On her first encounter with Grimshaw, Tilda does not recognise his name. While it's realistic that she may not know his face, as one of the most influential advisors to the Queen I would expect her to recognise his name. It's not a plot point so it wouldn't affect the story at all if she did; if anything it would probably improve that scene were she to recognise the name immediately.
Tilda's Aunt Winifred, with whom Tilda and her younger sister Letitia reside, accompanies 24 year old Tilda to preserve propriety while leaving 18 year old Letitia behind with only the maid Mary to look after her.
Despite the attitude to witches and magic, fortune-tellers are apparently acceptable at typical English village markets.
Overall, a good debut effort from Archer and I would certainly read the further adventures of one of the main supporting characters - there are definite hints that he has a story of his own to tell. 3.5/5
(reviewed 22 days after purchase)