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Write what you know. I know me and I'm talking to you, reader, in the first person, not the anonymous third person, because when I write I write about me and the world that thrives around me.
I wrote decent poetry in college, I couldn’t get the hang of short stories. I finished my first novel so many years ago writers were still sending their works to publishers instead of agents. My first novel was rejected by everyone I sent it to. The most useful rejection, by a Miss Kelly at Little, Brown, said something like this: “You write beautifully, but you don’t know how to tell a story.” Since then I've concentrated on learning to tell a good story. The writing isn’t quite so beautiful but it will do.
Life intervened. Like the typical Berkeley graduate, I went through five careers and three marriages. Since the last I've been writing like there’s no tomorrow. I have turned out twelve novels, a smattering of short stories and a little poetry. My latest novel is the third in a series about a man who is not my alter ego, he’s pure fiction, but everyone he interacts with, including the women, are me. My title for this trilogy is The Libertine.
Writers who have influenced me include Thomas Mann, Elmore Leonard, Albert Camus, Graham Greene, Kurt Vonnegut and Willa Cather. I don’t write like any of them, but I wish I did.
I'm currently gearing up to pay attention to marketing. Archery isn’t complete if there’s no target. I've neglected readers because I've been compulsive about putting words down on paper.
Today the balance shifts.
on July 31, 2011 :
ABRUPT EDGE -- A GENRE-BENDRE
Here I am again, drinking at the Brownfield Well. If you haven't guessed from my other reviews, Angus currently tops my list of preferred Smashwords authors.
Last night I finished reading "Abrupt Edge," the brand-new book by Angus Brownfield, an author who does mostly eBooks, but has one paper-'n-ink title out.
Genre-wise, the book defies classification. It carries the intensity of a Tom Clancy novel, the sexuality-as-knowledge of Hesse's Steppenwolf or Fowles' The Magus. It contains the guts of the Biblical tale of Caine & Abel, and the all-encompassing vengeance-cum-hubris of The Illiad.
Set in a remote corner of the Nevada desert, a pair of estranged brothers (yup, they're fighting over a girl) build side-by-side competing empires: one, a fundamentalist polygamist Mormon theocracy; two, a best-in-the-world sensualists' pleasure palace. They compete not only for limited water resources, but for the most important resources of all: the bodies and souls of the isolated tatters of their fanatical father's Mormon band. Theirs is a non-resolvable quarrel. When the treasured daughter of the Mormon dictator comes over to the sensualists, a new take on the "Trojan War" follows.
Like great sci-fi or fantasy, the otherworldly nature of the story makes us dig deeply into our own minds, beliefs and souls.
Negatives: The novel has one or two slow-ish chapters of back story, and it could use a better-designed cover, but these are piddling issues.
Caveat: adult subject matter / scenes.
(review of free book)