Douglas J. Eboch is a professional screenwriter and director who wrote the original screenplay for the movie “Sweet Home Alabama” starring Reese Witherspoon, which set a box office record for a September opening. Mr. Eboch also wrote the game “Nightmare Cove” and the children’s play “Sleepover at the Stables,” which has been performed hundreds of times around the U.S. The Scriptwriter’s Network awarded him the Carl Sautter Screenwriting Award for Best New Voice in Feature Films. He has a BA in Film Production and an MFA in Screenwriting from the University of Southern California. Mr. Eboch currently teaches screenwriting and pitching at Art Center College of Design and screenwriting workshops for the Singapore Media Academy. He writes the popular screenwriting blog Let's Schmooze.
Ken Aguado is an independent producer. His most recent film, “Standing Up,” was written and directed by DJ Caruso and will be released later this year. Mr. Aguado has produced several other films including “The Salton Sea,” for Warner Bros., “Ticker,” which premiered on USA Network, “Crazy as Hell,” which was distributed theatrically by Artistic License and “Sexual Life,” written and directed by Ken Kwapis for Showtime. Prior to his producing career, Mr. Aguado was a production executive for several companies including Kings Road Entertainment, Miller-Boyett Productions and The Badham/Cohen Group. Mr. Aguado was born and raised in Westchester County, New York. He attended Tulane University in New Orleans where he graduated with a degree in Psychology.
Where to find Douglas Eboch online
The Hollywood Pitching Bible 3rd Edition
by Douglas Eboch & Ken Aguado
This book breaks down the process of pitching movies and television step by step. From choosing the right idea, to selling it in the room, the authors tell you how it’s done in clear language, suitable for the beginner or the seasoned Hollywood professional. Written by a screenwriter and a producer with decades of combined experience working in Hollywood as buyers, sellers and teachers.
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