Where did you come up with the idea for CommWealth?
CommWealth sprang from a long, richly detailed dream in which the central “I” demonstrates his easy adaptation to a property-less society by demanding electronic gadgets, cars, motorcycles, in fact anything he desires, and hoarding it all in a mansion he’s booted someone else out of. He takes the basic premise of this society, the guilt-ridden, involuntary sharing of everything, to its extreme when he asserts the right to claim a former girlfriend as his property. Fortunately I had a certain psychological distance from this dream narrator character who became CommWealth’s arrogant, pathetic anti-hero Allan Larson.
The dream was so clear that the plot flowed easily, allowing for both farce and reflection on our emotional and legal attachment to the tens of thousands of objects we own. The book demanded a semi-realistic dystopia, no weird science fiction technology or future setting. I wanted a literary element to highlight range of human romance, fear, and courage, as well as the shadow aspects of the self.
The main thing I'm looking for in any novel is a psychological solidity no matter how bizarre the plot may get. I also drew on my less than stellar playwriting and acting stints at Rice University as background for the amateur theatrical troupe in CommWealth.
Who’s your favorite hero in CommWealth?
My favorite is the over-the-top anti-hero Allan. The insanity of the six-month-old CommWealth system, in which all private property has been outlawed and citizens are required to share everything, finds its expression in Allan Larson as he glibly procures a Porsche in the first scene. Allan is a narcissistic playwright and actor who forces the Forensic Squad theater troupe to stage his mediocre play Cabaret. Supercilious, clueless, and manipulative, he’s claimed a mansion in Linstar Heights, surrounding himself with expensive cars and gadgets. He both needs friends and is quick to betray them. As a writer he thinks he should express his buried truths, but he’s too fearful to find out what they really are, and when crime tempts him, he sees it as just another avenue to fulfilling his needs. Though he has a certain measure of charisma, he’s basically a loser, and the only way he can get his love object Lisa is to demand thirty days’ ownership of her as per CommWealth regulations.
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