Bobby Quinn has been haunted by two enigmatic people for most of his adult life: Ben Morrissey, a sexy Don Juan who becomes a famous photographer in late 1990s Manhattan, and Monika Lilac, a beautiful cinephile femme fatale who is consumed by her love for silent-era films. This is a story about romantic obsession and cinematic obsessiveness.
Using a mixture of prose and poetry, Angie C. Orlando shares indelible stories about growing up in a small Ohioan town. She is equally funny and unflinchingly honest about how classmates, medical professionals, and others have viewed her multiple disabilities, all of which had gradually became apparent over time.
Ghosts are everywhere.
The Deaf community doesn’t seem to be what it used to be, so a small group of people must decide whether to sell the last Deaf club in America. As its board of trustees reflects on what it means to be Deaf, a few ghosts return to share stories of what it was like when Deaf clubs truly mattered. Raymond Luczak offers a compelling look into the Deaf community then and now.
Getting lost is the best way to learn about Finsbury Park ... London was a very different place in the early 1980s. Ian Young regales us with colorful stories about Finsbury Park, a neighborhood and its fascinating habitués long gone—gay skinheads, anarchist poets, and stoned stamp collectors—resisting the dark forces of a Thatcherite government.
From haunted Civil War battlefields to a severed ear discovered on a nightly run; from lab-grown dinosaurs to forest creatures that steal away children under the cover of night; from deadly bio-engineered fleas to a burning teenage desire for cybernetic amputations: Deaf and hard of hearing authors from around the world bring you this fun, though oftentimes disturbing, collection of short fiction.
With equal parts wit and empathy, lived experience and cultural criticism, Kelly Davio’s It’s Just Nerves: Notes on a Disability explores what it means to live with an illness in our contemporary culture, whether at home or abroad.
For over a decade, Raymond Luczak, author of Silence Is a Four-Letter Word: On Art & Deafness, has been interviewing Deaf and hard of hearing artists and their allies about their creative and arts accessibility work. This volume features over 70 people sharing what it means to be an artist who happens to be different.
You might get stolen too. In these wide-ranging stories told from the perspectives of a Thai ghost, an Irish fairy trapped in a dog’s body, a crow fae, an Icelandic birch tree elf, a dream thief, and other shapeshifting creatures, Kristen Ringman examines whether these fae would love a human or kill them after a close look into their hearts.
In these immaculately crafted stories inspired by the 1980s, Philip Dean Walker spotlights a cast of celebrities and historical figures in situations unsettling as Day-Glo and poignant as roses while the specter of AIDS looms.
Featuring fiction, poetry, nonfiction, and comics by 48 writers from around the world, QDA: A Queer Disability Anthology proves that intersectionality isn’t just a buzzword. This book is for anyone who needs to rethink what it means to be LGBT and disabled.
This collection of essays from one of the country’s leading voices on issues facing the signing community appears at a time of troubling trends and exciting new developments. Filled with startling observations and unapologetic assertions, Where I Stand challenges and broadens readers’ understanding of an important but often overlooked community.
With its twelve sharply observed stories filled with memorable characters and dialogue imbued with the pop music of the day, Gregg Shapiro reflects on what it meant to grow up gay in Chicago during the 1970s and 1980s. Only a gay Chicago native with a keen eye could give us such an insider’s view of the Windy City from a more innocent time not too long ago.
This celebration of short stories, poems, and essays gives us a glimpse into the Deaf signing community, something that literature by hearing authors featuring deaf characters has rarely done. Even in pieces that are about just one Deaf person, readers get a powerful sense of life in one of the most vibrant and least understood communities.
Fionnuala is a part-human, part-seal Deaf woman who falls in love with Neela, a Hearing woman in India. While growing up with Neela’s family in Tamil Nadu, she struggles with her distant parents living apart in Ireland and Indonesia. What binds them all together is the unstoppable undercurrent of ache running through the sea of their lives.
Eighteen queer male poets share stories what it means to live in the Midwest. We experience the undeniable power of seasons affecting their moods as they ache for a meaningful connection. We learn what it means to celebrate in spite of the odds against them. we discover anew the redemptive power of love and renewal among the leaves growing and falling.
When We Become Weavers brings together a multitude of voices exploring the many dimensions of the Midwest queer female experience: a land of moderation and extremes, lakes and thunderstorms, tall grass prairie and dance clubs, racism and transphobia, assault and female erotic power. In this volume, 17 poets, familiar and new, share stories you won't soon forget.
In 2002, Raymond Luczak handed us his call to arms for deaf artists everywhere. Ten years later, he revisits the book that challenged assumptions about being a deaf artist. Has anything changed? Yes and no. His meditations on what makes art “art” and deafness “deaf” asks artists--whether deaf or not--to rethink their work and live differently. Observations made from the past decade are included.
As a boy growing up in Michigan’s Upper Peninsula, Raymond Luczak delighted in the abandoned woods and fields known as “across the street.” He remembers encountering unexpected guests of the woods: a scraggly fox, a starving doe, an industrious chipmunk all enveloped against the backdrop of nature. This Way to the Acorns is a flinty-eyed ode to that overpowering sense of childhood wonder.
Raymond Luczak revisits the essay that brought him national attention for the first time. Originally published as a cover story in CHRISTOPHER STREET magazine in December 1990, rereading the essay prompted him to compare his feelings against what he'd felt back then. His reactions may surprise you.