Jess is an author/artist/non-conformist who's dedicated to writing original stories that are both meaningful and entertaining.

Jess is also the founder of jessINK, an innovative publishing company that focuses on substance over current fads and marketing hype.

[x] Erotic Fiction is where she explores intimacy/passion/intensity, not explicitness ;)

[x] Psychological Thrillers are where she explores the dark side of human nature.

BIO: http://www.jessINK.com/bio.htm
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Website: http://www.jesscscott.com
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Claudia D. Christian
Latest book: Love Blind (A Dark Love Story). Published on October 2, 2012.

Joe Perrone Jr.
Latest book: Twice Bitten: A Matt Davis Mystery. Published on March 11, 2013.
Visit their website.
View their blog.

Joel Kirkpatrick
Latest book: Harmony's Passing. Published on September 23, 2010. (5.00 from 1 review)
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View their blog.

Joseph Grinton
View their blog. Latest post: "Now that I’m an international bestselling novelist"

Junying Kirk
Latest book: Land of Hope. Published on September 28, 2012. (4.67 from 3 reviews)
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View their blog.

Kate Walker
Latest book: Rory, My Brother. Published on May 19, 2013.
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Kipp Poe Speicher
Latest book: It Was The Dead Who Groaned Within. Published on October 1, 2011. (5.00 from 1 review)
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L'Poni Baldwin
Latest book: The Society On Da Run: Dragons & Cicadas (12-12-12 Edition). Published on December 12, 2012.
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View their blog.

Maria Savva
Latest book: Haunted. Published on February 10, 2013. (4.80 from 5 reviews)
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View their blog.

MF Books
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Morgen Bailey
Latest book: The Serial Dater's Shopping List. Published on November 4, 2012.
Visit their website.
View their blog. Latest post: "Bailey’s Writing Tips podcast – short stories episode no.25"

Omar Tyree

Stacey Wallace Benefiel
Latest book: Crossing. Published on May 8, 2013.
Visit their website.
View their blog.

Tommy Jonq
View their blog.

Vixen Phillips
Latest book: Narcissism (Soon you will be free...). Published on June 7, 2010. (4.50 from 2 reviews)
Visit their website.
View their blog. Latest post: "my new favourite song ever *"

• Are You Still Submitting Your Work to a Traditional Publisher? on July 16, 2009
  
  I didn't really know of the term "Indie Author", until reading this (I always thought it meant exactly the same thing as being "Self-Published", lol). I've already gone through the whole PDF uploading onto CreateSpace (for print), as well as uploading a file onto Kindle -- if you're a newbie to all that kind of stuff, Mr. Patterson will take you through the steps in an engaging, lively writing style. I, personally, shall have to work on the networking part [including getting onto author/reader forums, and getting some purchases/rankings/reviews going on Amazon (eventually!)].
  
• Short Shocks Volume I on Aug. 26, 2009
  
  To be quite honest, I found the two stories to be more entertaining/interesting/stimulating, than most modern-day bestsellers. Andy draws his inspiration from a sordid, brutal and horrific Scottish history, where there is an abundance of fables, folklore, murders and superstitions. This is evident in the book, SHORT SHOCKS. There is an eerie mood (and setting) which wraps you in and keeps your attention. A word about the dialogue – I felt that the lines of conversation, could have been more carefully edited. For example: --- “You do what you want.” John shouted. (“You do what you want,”) “It’s getting colder these nights” (missing full-stop) “Mr. Bastion,” Said the Lord. (said > Said) --- Perhaps it’s because I am naturally extremely attentive to such details (I also edit some short stories for publications, on the side)...and to just harp on this, and overlook the loveliness of everything else of the two stories, would be my loss/an error on my part. I also thought the dialogue in the first story could have sounded a bit more “old-worldly”, because the story takes place in the year 1834. I must emphasize “a bit”, in my previous sentence, because dialog that’s lengthy and difficult to decode (how I feel when reading Shakespeare sometimes, even though I truly love The Bard lots!)...can get in the way of the forward motion of a story/book. ‘Minion’ and ‘A Night With Frost’ are two incredibly imaginative, original, and well-crafted stories. Horror is not the usual genre I peruse material in, so I was initially wondering if it’d be too “gory” for this reader’s tastes, but nope, the descriptions added very nicely to the stories [“the eyes weeping bloody streams of fear and panic”, oh and the part about John “(returning) to his room, to lick the bad taste from his conscience” – I thought that was very nicely phrased]. ‘Minion’ has a whole gothic and terrors-of-the-soul mojo going on (the journal format/gothic mix of ‘Minion’ was reminiscent of Bram Stoker’s Dracula) – ‘A Night With Frost’ was/is very aptly titled – it’s gripping and chilling (how fitting!) and keeps you hooked to the story till the end. One gripe (more so than my comments on the dialogue): I wish there would have been more stories!!
  
• The Hunted of 2060, a Shifter Dystopian (Shifter Evolutions Book #5) on June 27, 2010
  
  [Well-written fiction by a well-read author] The summary of The Hunted of 2060 begins with: "Set in Alaska in 2060, when April enters her Sophomore year at University..."--I was immediately drawn into the world and setting that the author so deftly and effortlessly creates, in this futuristic novel. I really liked the part about the electrical newspapers "beam[ing] in and out against the shop walls" displaying current events, ha ha! In the chapter entitled 'Siblings' (Page 16), there's one line that reads, "complex themes [are] interwoven into relatable story lines"--the main character is referring to the subject of English Literature, throughout the paragraph where this sentence appears. I think the universal themes mentioned in this section echo the main themes of Ms. Blackwelder's novel--kinda like how the pastor's sermon in Moby-Dick reflects some of the main themes in the entire book. This is how it should be done, as compared to certain blockbuster mainstream books, where names of classic books seemed to be dropped for no reason other than to create an added sense of melodrama and/or to make the main character seem 'smart'. I thought this was a well-written piece of fiction (which veered to "realistic fiction" very often), with well-crafted characters and a strongly developed setting--by an experienced, well-read author.
  
• Miami Snow on June 27, 2010
  
  I noticed the words, “quiet fury,” upon first reading this novel (on the copyright page, not within the story itself). Actually, a quiet fury seems to run through the characters/story--like a golden thread of intensity, quietly simmering under the surface, which holds the story together. Speaking of intensity, I noticed the line “Nickelback blasted from her speakers” on one of the book's pages, as I was pondering over this whole element of intensity. Everyone who knows Nickelback’s music knows how intense those guys can be, heh! Ms. Helle has a great, unforced writing style. Nothing makes me more tired than variations of purple prose, which thankfully do not feature throughout this book. For instance, here is the opening paragraph of Chapter 33: “…Dante watched as Kiera effortlessly cut through the water, swimming with easy strokes. The white bikini she wore covered as little as possible. He liked that she wasn’t shy.” Less is more--and I’m referring to both the white bikini, and the style of writing. Brandy, oh man, I liked Brandy, lol. I liked the portrayal of her sexuality, and that the drug aspect is part of the plot (not there for “sensationalized” purposes or to “glam up” the storyline). Actually, I felt a little bit like a voyeur (having a look into the characters’ lives), despite the disclaimer at the start that it is a work of fiction. I’m left with the feeling that these were real people I was reading about--fact combined with fiction usually is a necessary thing for characters to come alive. Ms. Helle has this down pat.
  
• Glimpse (Zellie Wells #1) on June 27, 2010
  
  I love how Glimpse's artsy and pretty cover creates a sense of mystery and curiosity! On to the interior content--I liked the sensory elements included straight from the opening paragraph (and the combination of these visual/audio sensory elements, combined with the characters being "in line to take communion," was a hilarious touch). Pacing is good, as is the descriptive writing. For example: "I began at [Avery's] feet. Polished black dress shoes, black socks slouching at the ankles, a glimpse of beautiful calf, his khaki pants hiked up just a little." and "Avery felt electric. Lying on top of his made bed in the dark, still wearing his church clothes, he listened for his parents, trying to detect any movement coming from their bedroom. All he could hear was the energy coming off of him. The whole room was buzzing." This novel has an authentic YA voice--which is neither patronizing/pretentious, nor whiny. I enjoyed the great attention to visual detail too, like the opening of Chapter Two, where the narrator observes her best friend cutting her punk rock hair. This sort of attention to detail livens potentially commonplace scenes. There was also a great balance with the interactions between 1) the narrator and her romantic interest, Avery, 2) the narrator and her best friend, Claire, and 3) the narrator and her family members. I think it ended on a good note--because it leaves me impatient/wanting to see the next installment! Ms. Wallace Benefiel has penned a delightful romance packed with emotion, tension, and likable characters that pull at your heart.
  
• Celtic Evil A Fitzgerald Brothers Novel: Ian on June 30, 2010
  
  I really enjoyed the style of scene breaks in this dark fantasy novel. I thought the “scene settings” stated in bold (to mark a change of setting), added to the excitement and pace of the story. This technique enables the story to cover a lot of ground (quickly—personally, I’ve never been a fan of extremely long, rambling detailed descriptions of “the setting”), and creates a more ‘expansive’ feel to the geographical scope of the story. On a side note, these scene breaks remind me of certain scene break sections in Herman Melville’s Moby-Dick, heh. Back to Celtic Evil. For example (re: the scene breaks): Fitzgaren, County Kerry, Ireland, four days later: (Chapter 2) Trinity University, Ian Fitzgerald’s dorm: Dublin, Ireland: (Chapter 7) Avebury, Great Britain: (Chapter 24) There’s a skilful blend of modern-day and fantasy elements too, without a sense of the author “trying too hard” with the creation/execution of the story. The characters are relatable, and the relationship of the brothers showcases the strength of family ties (something which might be in short supply, the more technologically advanced the human species gets). I also enjoyed the ease and comfort the author has with writing about subjects/content that are related to magic/witchcraft—these vivid scenes enliven the interactions between the characters. I look forward to trying some of this author’s other books (like S.E.A.L. Team Omega, that falls into the adventure genre!).
  
• Gas For Grass on Aug. 27, 2010
  
  I have not read a lot of "Bizarro Fiction," but I think this story fits the genre aptly (where weirdness is the defining trait!). I haven't really been a long-time horror fan, but I've been gaining more interest in the genre (on the film side, I'd rather watch a well-produced action/horror flick, than a rom com, possibly 90% of the time!). I didn't really fancy that the neighbor in the story was a dike--I felt this didn't really contribute to the story. Well, maybe it did in some ways, but I've always been very kind to the GLBT community...and maybe I'm reading too much into things too. I guess I'll have no issues if one views this aspect as being part of what drives the narrator's rage (in the context for this story). Apart from that, I liked the story's flow (the run-on sentences work well and unpretentiously / the writing is tight too), and I think Mr. Poe Speicher did a slick job with taking the reader through the mind of one driven by pure RAGE (all caps for the emphasis).
  
• Closing My Eyes Helps Me To See Clearly on Aug. 27, 2010
  
  I enjoyed being led through the story, paragraph by paragraph...the author certainly has a skill with imagery. Personally, I don't really dig it if/when a writer starts to get a little (or not) bit "over the top" with descriptions--"and she was filled with an inner darkness, black and dark as an oil slick" (from a recently published YA novel--won't say which!)--Mr. Speicher's descriptions are more lyrical. He has an understanding of what good poetry is (most Poe fans do, while those who detest Poe usually don't--c'mon, Edgar Allan Poe's THE MAN, admit it *insert smiley face*). P.S. Visually (if this were to be translated onto a screen), it could potentially be something very "eerily other-worldly" to view/experience (and I don't mean "other-worldly" in the paranormal-creatures sense--this is something greater/that covers more scope than a genre category).
  
• The Toilet Business on July 09, 2011
  
  ===A rollicking romp of an employment record=== Enjoyed the insight of this collection of short and digestible essays, with regards to the author's employment history. The down-to-earth tone and there were many things that "rang true", such as: 1) "I’ve looked into becoming a radiology tech, an interpreter for the deaf, a massage therapist, a yoga instructor, a court reporter, a medical transcriptionist, and a lab technician. Basically anything that requires me to go to a trade school for 18-24 months." (pg-11) 2) Pro vs. Con of "being older than [one's] 22-year-old boss," (pg-35) 3) What people really get up to at records stores (lol!) As I approach my mid-twenties, I can totally appreciate the ups and downs of being in and out of crappy jobs (throughout my teens, it was never a dream, but a requirement, that I would eventually find a career that I actually enjoyed). I don't wanna give away any spoilers (especially with endings), but I'll say here that I especially enjoyed the conclusion of this book. I'll say that it ties in wonderfully and positively to The Toilet Business's opening paragraph -- so kudos to SWB on that!
  
• Narcissism (Soon you will be free...) on Aug. 13, 2011
  
  The author's website states that one of the genres she writes in is "literary / lyrical trance." One would be hard pressed to think of a better description for Vixen's style of writing, which features beautiful prose that isn't superfluous or pretentious. In our post-modern world that seems to be flooded with commercial fluff, Vixen Phillips's work is emotional, daring, and a breath of fresh air. "Narcissism" was a pleasant read and well-paced, wonderfully visual and descriptive, and is a great introduction to the imaginative mind that fuels the storytelling craft and talent of Vixen Phillips.
  
• Escaping Innocence (A Story of Awakening) on Aug. 17, 2011
  
  The scenes in Escaping Innocence were portrayed very realistically, which is something I appreciate greatly in a coming-of-age novel. I felt for the character at the end (I don't want to go overboard with any "spoilers"!) -- that's something that won't happen, if I absolutely cannot stand a book. The story is viewed from the perspective of David Justin, and there is an honesty and naturalness with the way David's experiences are presented to the reader. I think a lot of care went into this book, to ensure its authenticity. The book captures the spirit of a young man's personal quest (and the spirit of the 60's setting!), in a voice that is tinged with both humor and a sense of familiarity (almost like you're hearing accounts and anecdotes from a long-lost friend). Chapter 42 (towards the end), I think, is one of the best chapters I've ever read (in terms of conciseness and a sense of closure). Without giving away too much of what happens, I'll just say that it wraps up the story in an incredibly cohesive way, that's colored by strong emotional undertones which offer depth and insight to all that David has gone through. And while the first two opening paragraphs of the first chapter featured a little too many metaphorical descriptions for me, I guess it's part of the character's voice (and context--read the 5th paragraph of Chapter 1 to understand!). I'm used to reading classic/literary works, which can make my sentiments a bit more...persnickety ;)
  
• A "Real" Man's Guide to Divorce (First, you bend over and...) on Aug. 19, 2011
  
  While my curiosity was piqued, I was a little hesitant with beginning to peruse this book (the front disclaimer warns: "This book is intended purely for the enlightenment and amusement of men only. If you choose to continue, be aware that you may—make that will—find some—make that all—of the material profoundly offensive. Still reading? Okay, you’ve been warned.”). I am currently not married and have been very cautious about the whole dating/mating/marrying game (I’m female). However it didn’t take me long to appreciate some of the things the text has to offer. I’d say that the book’s biggest strength is its straight forward, passionate, witty, shoot from the hip style together with the author’s experience on the topic. Don’t discount the advice and words of wisdom amidst the candid humor, although those who take themselves/issues too seriously may have some trouble relating to the frank writing style—it may perhaps be a little too real for comfort ;) Some of the highlights/excerpts I really enjoyed, and/or that had me laughing out loud: 1) The part about finding a (preferably single and) “female” attorney, in order to “fight fire with fire” (* reviewer's note -- totally spot on! *). 2) “. . .any dummy knows it ought to be spelled the way it sounds: “duhvorce.” Duh!” 3) “You’re about to find out that [it is] not fair. . .the lawyers will see to that. You’ll be holding a knife; she’ll be wielding a bazooka.” 4) “Time is money” is an old saying that lawyers like to use when explaining their exorbitant fees. But, the truth is that once the lawyers get involved and the clock starts ticking, you are running out of time—and, ultimately money. Perhaps, when it comes to divorce, the saying should be amended to read: “When you’re out of money, you’re out of time.” Chapter 11 is very cool (which covers “life after divorce”). Read the opening dedication, the chapters that follow, then Chapter 11, and one can perhaps re-develop a little bit of faith/hope/optimism with regards to "life after divorce." I think Mr. Perrone has a real knack for providing satisfying and concise, effective conclusions that are packed with meaning and wisdom. And one final note: this is one book which justifies/warrants the somewhat-cliched phrase, “Won't somebody please think of the children?” (such that it's NOT a cliche, in this case). Great work, Mr. Perrone, for the jokes + gems of wisdom that pack a punch!
  
• Opening Day: A Matt Davis Mystery on Aug. 28, 2011
  
  Well, OPENING DAY starts off magnificently--I'm a big fan of Edgar Allan Poe, and found myself smiling at the opening scene's visual similarities to the setting of Poe's "The Pit and the Pendulum." I liked the tight writing (Hemingway would approve--probably along with the well-written and well-placed fishing scenes, which offer an interesting contrast to the more tense aspects of the plot's development). Sequels sometimes have a sense of "fizzling out" (they often just don't have the same panache as the first in a series), but Mr. Perrone's talent and skills really shine in the mystery/detective genre. I watch a lot of Law and Order episodes (I am a diehard fan) and I felt this story evoked the same kind of suspense/tension/plot-unraveling as with many of the Law and Order cases/episodes (with a bit of a Bones/CSI-type feel added in for good measure). Character development is top notch (not only with the main character/former NYPD homicide detective--there are several 3-dimensional female characters too!), as well as the dialogue (which makes for smooth, pleasant reading). The little details elevate this book beyond mediocre and subpar, such as with the brief mention of Ted Bundy, and the multi-layered plot which comes together via past and present day. That bold and unique structure of the book was the best element of the novel for me. It set the pace well and it moved the pieces of the story along in a compelling way (very fitting for a mystery piece). Oftentimes an author might shy away from the "past versus present" structure throughout the book, but I guess the good writers do exactly what everyone else says cannot be done. Also, without giving away any spoilers, the ending was cohesive and just perfect in terms of execution. Now to wait for the next in the Matt Davis Mystery Series by Mr. Perrone (I await more fabulousness in terms of characterization and setting)!
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net :)!
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net! :)
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  (no rating)
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net! :)
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  (no rating)
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net! :)
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net! :)
  
• Dragonworld ETC (The Society On Da Run #3) on Oct. 14, 2011
  (no rating)
  Very creative (thank God because creativity is something that's sorely lacking in our over-commercialized world). One thing I enjoyed very early on was/is the multicultural/international/global flair throughout the poems. I like/appreciate the mention of astrology/the stars in "The Sweet Starry Night Dreams of the Dragonflies" also (a layered/structured/thought-provoking piece I'll slowly read, and not rush through tonight). I enjoy taking my time when it comes to reading poetry, as I'm doing with this collection right now :) Greetings from www.Dragonsinn.net! :)
  
• Paradise on Oct. 21, 2011
  
  Wow, this was a mother-effing cool read. Don't be deterred by the short story word count -- as the new wave science fiction author J. G. Ballard once said, "there are many perfect short stories but no perfect novels." I couldn't predict the plot of PARADISE from the opening lines of the eBook (or the summary) -- though it was a really great/satisfying ending. I greatly appreciate the author's creation of stories with low fluff content. I also enjoy the handling of the theme(s) of sexual obsession/violence that are part of the plot. This is not the sort of cheap erotica that's nothing more than "literate porn" designed to arouse the reader and generate a profit for the producer. And I don't know why I took so long to dive into some of Ms. Christian's work, but I'm glad to have done so. P.S. This is subjective, but I enjoy having 'Stabbing Westward' on in the background while perusing Ms. Christian's work (moments of absolute pleasure, lol!).
  
• BestsellerBound Short Story Anthology on Nov. 03, 2011
  
  A refreshing and concise anthology--I enjoy "variety" in both life and literature, and I enjoy anthologies such as this one because of the diversity offered. This introduces the reader to different genres and narratives styles, something which I greatly appreciate. Commercial mainstream fiction tends to be more homogenous than original/innovative, which is why anthologies such as this are great to introduce new readers to a range of independent writers/authors. In the independent scene, a writer can maintain creative control over their work (without altering it so that it suits a certain "commercial category" better). In this anthology, you'll get suspense; an introspective/engaging story involving a lost love and a lost earring; a story told entirely in dialogue; an insightful story reminiscent of the film "Country Strong"; a fantasy story about wizards and spells; and more. All for the price of FREE too--so set aside some time, download a copy, and see what gems you discover for yourself ;)
  
• BestsellerBound Short Story Anthology Volume 2 on Nov. 04, 2011
  
  A refreshing and concise anthology--I enjoy "variety" in both life and literature, and I enjoy anthologies such as this one because of the diversity offered. I'm familiar with the work of some of the writers featured in this anthology. It's so nice to see versatility and a love for writing (and respect for the craft) being given the priority over homogeneity (which is what the mainstream commercial traditional publishing industry encourages, fosters, and promotes, in the name of reaping profit$ from book$ with built-in audience$). This anthology features tight writing and each author's style is given the freedom to shine. One of the things I liked most about all the stories is that they all show a genuine care for character development, which is refreshing (a lot of commercial fiction tends to be heavily plot-driven, with less emphasis on depth and insight). This is partly why I now spend more time reading classic books and indie works (more so than the formulaic fluff the commercial publishing industry has settled to offering). I understand my review sways more towards a personal than objective tone (at points)--for me, reading is a rather "personal affair." I have a low tolerance for creative work that isn't somehow original and/or innovative, that doesn't bring anything new or of value to me as a reader, so I appreciate it greatly when I do find something that's non-cookie-cutter ;) P.S. Be sure to also check out Bestseller Bound Anthology Volume 1.
  
• Fusion on May 04, 2012
  
  I don't judge books totally by their cover, though I have to say that I really appreciate the thought that goes behind Maria Savva's book covers. For the longest time, I thought the cover of 'Fusion' was a photo of a white flower against a black background. I've only just realised "what the picture is, really," and how the black and white tones in the photo seem to be a "seamless fusion." I was initially surprised and intrigued with the table of contents (feat. 22 stories). I assumed that they'd be of 'flash fiction' length (i.e. short short stories), which I've always enjoyed reading because there tends to be focus in a well-written short piece (as opposed to long novels with a lot of filler text). I found the writing style to be very clean and sharp, which made for easy reading, which reminded me of the following quote from Nathaniel Hawthorn: "easy reading is damn hard writing." There were very, very nice twists to certain stories, and I liked the scope of the stories. Seemingly ordinary people in ordinary circumstances, yet with a profound simplicity that can escape us as we hurtle on in our "technologically advanced" age where speed and new things seem to matter above all else. Ms. Savva's work is original and personal, and individualistic yet 'social' at the same time, in the sense that the characters and storyline are things people everywhere can relate to. That to me is what really captured the 'fusion' in Fusion. "Thought provoking and eventful stories written to entertain and inspire," indeed!